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Venty's method involves weaving together religious paintings that have been sliced into fine strips of paper.

Coming from a background of seeking the value of life by paradoxically digging deeper into death, his works represent the "Cry of the spirit," depicting his personal struggle with facing and overcoming death since childhood.

His expression of superimposing and misaligning the religious paintings to create a blurry or ghostly effect symbolizes "Salvation from the fear of death," as well as signifying the spirit's "Desire to be liberated from the physical body."